It was a time of my life when I was stillĮxcitedly discovering (and applying) the film theory, “structuralist semiotics”Īnd textual analysis protocols bequeathed by the 1960s & ‘70s, areas where Served as a tutor in Rob Jordan’s 1 st year film course, which I have no definite memory or record of whenĪnd where the following talk on Shadow of a Doubt (combined here with a preceding introductory lecture) was delivered,īut I suspect it may have been at RMIT during 1981, during the time that I In that period, my lecture commissionsĬovered a curious random assortment of films, including Tout va bien (1972), Picnic at Hanging Rock (1975), The Mother and the Whore (1973), Angel City (1976), and Rear Institute of Technology, and Swinburne Technical College – all these names Gave my first, occasional, invited lectures in cinema courses at threeĭifferent tertiary institutions (Melbourne State College, Royal Melbourne Introduction (January 2021): Between 19 – and the ages of 19 and 21 – I
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